La imaginación desbordante y febril de algunos diseñadores plasma la realidad de forma sintética y pragmática, además de con mucho humor e ironía. El Tour de France tiene ya su cálido y guiñolístico homenaje. En este caso, es una cuestión de pelotas…
Llega el 7 de julio. YA QUEDA MENOS para San Fermín. Vente volando a una de las fiestas más famosas del mundo.
Sturm und Drang, (literally “Storm and Drive” or “Storm and Urge”, though conventionally translated as “Storm and Stress”) is a proto-Romantic movement in German literature and music taking place from the late 1760s through the early 1780s, in which individual subjectivity and, in particular, extremes of emotion were given free expression in reaction to the perceived constraints of rationalism imposed by the Enlightenment and associated aesthetic movements. The period is named for Friedrich Maximilian Klinger’s play Sturm und Drang, which was first performed by Abel Seyler’s famed theatrical company in 1777.
The philosopher Johann Georg Hamann is considered to be the ideologue of Sturm und Drang, with Jakob Michael Reinhold Lenz, H. L. Wagner and Friedrich Maximilian Klinger being significant figures too. Johann Wolfgang von Goethe was also a notable proponent of the movement, though he and Friedrich Schiller ended their period of association with it by initiating what would become Weimar Classicism.