Metropolis is a 1927 German expressionist science-fiction film directed by Fritz Lang. The film was written by Lang and his wife Thea Von Harbou, and starred Brigitte Helm, Gustav Fröhlich, Alfred Abel and Rudolf Klein-Rogge. A silent film, it was produced in the Babelsberg Studios by UFA.
Made in Germany during the Weimar Period, Metropolis is set in a futuristic urban dystopia, and follows the attempts of Freder, the wealthy son of the city’s ruler, and Maria, whose background is not fully explained in the film, to overcome the vast gulf separating the classist nature of their city. Metropolis was filmed in 1925, at a cost of approximately five million Reichsmarks. The film was met with a mixed response upon its initial release, with many critics praising its technical achievements while deriding its simplistic and naïve storyline. Due both to its long running-time and footage censors found questionable, Metropolis was cut substantially after its German premiere; large portions of the film were lost over the subsequent decades.
Numerous attempts have been made to restore the film since the 1970s-80s. Giorgio Moroder, a music producer, released a version with a soundtrack by rock artists such as Freddie Mercury and Adam Ant in 1984. A new reconstruction of Metropolis was shown at the Berlin Film Festival in 2001, and the film was inscribed on UNESCO’s Memory of the World Register in the same year, the first film thus distinguished. In 2008, a print of Lang’s original cut of the film was found in a museum in Argentina. After a long restoration process, the restored film was shown on large screens in Berlin and Frankfurt simultaneously on 12 February 2010.
METROPOLIS ORIGINAL POSTER by zoomxqueen
El Festival de Cine Español de Málaga está adquiriendo fuerza y relevancia internacional. Una cita imprescindible para amantes del buen cine a orillas del Mediterráneo. Este año 2013 tiene lugar del 20 al 27 de abril. Este simpático, minimalista y luminoso cartel, juega con la sencillez y claridad de esta magnífica ciudad y con la firma de Pablo Picasso: el famoso, universal y visionario pintor malagueño.
Cartel presentado a concurso
16 PABLO´S FILM
La actual dinámica de USA parece no tener arreglo. Y nada más fácil que cambiar la actual ley referente a la posesión de armas. No valen ya más justificaciones sobre el derecho a defenderse y sentirse seguro. Un buen patriota debería confiar en un Estado que vela y dirige sus intereses. Y un buen Estado, debería prohibir tamaño esperpento entre sus protegidos…
Marion Robert Morrison, de nombre artístico John Wayne (Winterset, Iowa, Estados Unidos, 26 de mayo de 1907 – Los Ángeles, California, EEUU, 11 de junio de 1979), conocido popularmente como The Duke (El Duque). Fue el símbolo de lo rudo y masculino en la década de 1920, y fue un icono estadounidense durante muchos años. Es memorable el timbre distintivo de su voz, su forma de caminar y su presencia física.
Fernando Jiménez del Oso (Madrid 1941 – 2005), psiquiatra y periodista español, especializado en temas de misterio y parapsicología, director de revistas y programas de televisión.
The festival of San Fermín (or Sanfermines, Basque: Sanferminak) in the city of Pamplona (Navarre, Spain), is a deeply rooted celebration held annually from 12:00, 6 July, when the opening of the fiesta is marked by setting off the pyrotechnic chupinazo, to midnight 14 July, with the singing of the Pobre de Mí. While its most famous event is the encierro, or the running of the bulls, which happens at 8:00 am from July 7th to July 14th, the week long celebration involves many other traditional and folkloric events. It is known locally as Sanfermines and is held in honor of Saint Fermin, the co-patron of Navarre. Its events were central to the plot of The Sun Also Rises, by Ernest Hemingway, which brought it to the general attention of English-speaking people. It has become probably the most internationally renowned fiesta in Spain. Over 1,000,000 people come to watch this festival
Sturm und Drang, (literally “Storm and Drive” or “Storm and Urge”, though conventionally translated as “Storm and Stress”) is a proto-Romantic movement in German literature and music taking place from the late 1760s through the early 1780s, in which individual subjectivity and, in particular, extremes of emotion were given free expression in reaction to the perceived constraints of rationalism imposed by the Enlightenment and associated aesthetic movements. The period is named for Friedrich Maximilian Klinger’s play Sturm und Drang, which was first performed by Abel Seyler’s famed theatrical company in 1777.
The philosopher Johann Georg Hamann is considered to be the ideologue of Sturm und Drang, with Jakob Michael Reinhold Lenz, H. L. Wagner and Friedrich Maximilian Klinger being significant figures too. Johann Wolfgang von Goethe was also a notable proponent of the movement, though he and Friedrich Schiller ended their period of association with it by initiating what would become Weimar Classicism.